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Conservation of Contemporary Art

Overview of attention for book
Cover of 'Conservation of Contemporary Art'

Table of Contents

  1. Altmetric Badge
    Book Overview
  2. Altmetric Badge
    Chapter 1 Introduction to the Volume
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    Chapter 2 Artworks in Art Museums
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    Chapter 3 Doing Ethics in Practice: SBMK Platform Meetings
  5. Altmetric Badge
    Chapter 4 The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation
  6. Altmetric Badge
    Chapter 5 When Old Was New: Rethinking Traditional and Contemporary Art and Their Paradigms of Care
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    Chapter 6 Languages of Conservation: A Comparison Between Internet-Based Art and Built Heritage
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    Chapter 7 No Longer Artwork
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    Chapter 8 Visible Issues. Insights Into the Professional Identity of the Conservator
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    Chapter 9 Conceptual Art and Conservation
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    Chapter 10 Reinstalling Thomas Hirschhorn’s Doppelgarage (2002): Bridging Gaps Between Theory, Practice and Emotion in the Preservation of Installation Artworks
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    Chapter 11 The Increasing Role of Artists’ Estates in the Preservation of Contemporary Art
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    Chapter 12 Documenting Hybrid Mixed Media Art Forms: The Role of the Audience
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    Chapter 13 Sharing Knowledge in Art Conservation: From Repository Building to Research Publishing
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    Chapter 14 Collections of (An)archives: Towards a New Perspective on Institutional Collecting of Contemporary Art and the Object of Conservation
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    Chapter 15 Decision-Making for the Conservation and Presentation of Thermoelectronic Chewing Gum (1970), a Political Environment by Wolf Vostell
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    Chapter 16 The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate
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    Chapter 17 Integrating Front-of-House with Behind-the-Scenes Practice in Contemporary Art Conservation
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    Chapter 18 Is Trust Enforceable? The Conservation of Contemporary Artworks from a Socio-legal Perspective
  20. Altmetric Badge
    Chapter 19 Making Time
Attention for Chapter 4: The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation
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Chapter title
The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation
Chapter number 4
Book title
Conservation of Contemporary Art
Published in
Studies in Art, Heritage, Law and the Market, January 2024
DOI 10.1007/978-3-031-42357-4_4
Book ISBNs
978-3-03-142356-7, 978-3-03-142357-4
Authors

Castriota, Brian

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X Demographics

The data shown below were collected from the profile of 1 X user who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 3 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 3 100%

Demographic breakdown

Readers by professional status Count As %
Researcher 1 33%
Unknown 2 67%
Readers by discipline Count As %
Chemistry 1 33%
Unknown 2 67%
Attention Score in Context

Attention Score in Context

This research output has an Altmetric Attention Score of 1. This is our high-level measure of the quality and quantity of online attention that it has received. This Attention Score, as well as the ranking and number of research outputs shown below, was calculated when the research output was last mentioned on 05 March 2024.
All research outputs
#23,324,704
of 25,992,468 outputs
Outputs from Studies in Art, Heritage, Law and the Market
#1
of 1 outputs
Outputs of similar age
#301,428
of 365,312 outputs
Outputs of similar age from Studies in Art, Heritage, Law and the Market
#1
of 1 outputs
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