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Irish Drama, Modernity and the Passion Play

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Cover of 'Irish Drama, Modernity and the Passion Play'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 “Unseen Forms of Violence”: J. M. Synge and the Playboy of the Modern World
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    Chapter 3 Anticipating the Rising: Pedagogy, Sacrifice and Theatre in Padraic Pearse’s Plays
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    Chapter 4 Framing the Rising: W. B. Yeats’s Calvary and Lady Gregory’s The Story Brought by Brigit
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    Chapter 5 Saint Joan’s Unheard Voices: G. B. Shaw and the Passion Play
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    Chapter 6 Re-Directing the Passion Play: Seán O’Casey’s The Silver Tassie and Red Roses for Me
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    Chapter 7 Reclaiming Robert Emmet: Denis Johnston’s The Old Lady Says “No!”
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    Chapter 8 Nationalism, Abjection and the Reinvention of Ireland in Behan’s The Hostage
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    Chapter 9 Intimate Passions: Thomas Kilroy’s The Death and Resurrection of Mr Roche and Talbot’s Box
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    Chapter 10 Open Mouths: Brian Friel’s Faith Healer and Tom Murphy’s A Thief of a Christmas/Bailegangaire
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    Chapter 11 Torture and Passion: Opened Bodies in Samuel Beckett’s Rough for Radio II , Words and Music and Cascando
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    Chapter 12 The Seduction of Silence: Ethical Interpellations in W. B. Yeats’s The King’s Threshold , Samuel Beckett’s Endgame and David Lloyd’s The Press
Attention for Chapter 12: The Seduction of Silence: Ethical Interpellations in W. B. Yeats’s The King’s Threshold , Samuel Beckett’s Endgame and David Lloyd’s The Press
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Chapter title
The Seduction of Silence: Ethical Interpellations in W. B. Yeats’s The King’s Threshold , Samuel Beckett’s Endgame and David Lloyd’s The Press
Chapter number 12
Book title
Irish Drama, Modernity and the Passion Play
Published by
Palgrave Macmillan, London, January 2016
DOI 10.1057/978-1-349-94963-2_12
Book ISBNs
978-1-349-94962-5, 978-1-349-94963-2
Authors

Alexandra Poulain

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