Table of Contents
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Book Overview
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Chapter 1
Introduction
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Chapter 2
The Embarrassment of Meeting: Burroughs, Beckett, Proust (and Deleuze)
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Chapter 3
The Search for Strange Worlds: Deleuzian Semiotics and Proust
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Chapter 4
Different Essences and Essential Differences: Proust versus Deleuze
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Chapter 5
Signs and Subjectivity in Proust and Signs and Cinema 1 and 2
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Chapter 6
Proust/Deleuze: Mnemosyne, Goddess or Factory?
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Chapter 7
Deleuze, Leibniz, Proust and Beckett: Thinking in Literature
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Chapter 8
Apprenticeship, Philosophy, and the ‘secret Pressures of the Work of Art’ in Deleuze, Beckett, Proust and Ruiz; or Remaking the Recherche
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Chapter 9
Proust, Deleuze and the Spiritual Automaton
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Chapter 10
’Staring Sightlessly’: Proust’s Presence in Beckett’s Absence
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Chapter 11
Models of Musical Communication in Proust and Beckett
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Chapter 12
The Long and the Short of it… Moving Images in Proust and Beckett
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Chapter 13
The Gift of Time: Reading Proust Reading Deleuze Reading Proust
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Chapter 14
Deviant Masculinity and Deleuzian Difference in Proust and Beckett
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Chapter 15
Coldness and Cruelty as Performance in Deleuze’s Proust
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Chapter 16
Proustian Puppetry as Deleuzian Sign in A la recherche du temps perdu
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Chapter 17
Murphy’s Madeleine
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Chapter 18
… Proust… Beckett… Deleuze…: a Quad Regained
Attention for Chapter 14:
Deviant Masculinity and Deleuzian Difference in Proust and Beckett