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The Zimdancehall Revolution

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Cover of 'The Zimdancehall Revolution'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Locating Zimdancehall in the Trajectory of Music in Zimbabwe
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    Chapter 2 Aestheticising Vulgarity and Marginality: Zimdancehall as a Subcultural Revolution
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    Chapter 3 Dancing with Musicking in Zimdancehall: Divergent Discourses and Interpretations
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    Chapter 4 Zimdancehall vs. The State : An Interrogation of the Genre as a Response to Socio-Political Crises in Zimbabwe
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    Chapter 5 Ibotso MuDzimba Dzemabwe: Winky D and the Quest for Human Flourishing in Zimbabwe
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    Chapter 6 Politics of the Rhythm: Unpacking Winky D’s Eureka Eureka Album
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    Chapter 7 Self/Re-naming in Zimdancehall: The (De)formation of a Culture?
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    Chapter 8 Semantic Metamorphosis or Reconceptualisation?: A Case of Shona in Zimdancehall Music
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    Chapter 9 Zimdancehall and Modes of Being in the City
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    Chapter 10 Burying Sauro: The Necrography of Zimdancehall
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    Chapter 11 “Mwana waStembeni”: The Ambivalent Representation of Women in Soul Jah Love’s Music
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    Chapter 12 Versions of Heterotopia in the Artistic Works of Dambudzo Marechera and Soul Jah Love
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    Chapter 13 The Futurist Imaginaries of the Zimbabwean Conditions in Winky D’s Njema
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    Chapter 14 Towards Success or Precarity? The Tenuous Future of Zimdancehall as a Cultural Movement
Attention for Chapter 11: “Mwana waStembeni”: The Ambivalent Representation of Women in Soul Jah Love’s Music
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Chapter title
“Mwana waStembeni”: The Ambivalent Representation of Women in Soul Jah Love’s Music
Chapter number 11
Book title
The Zimdancehall Revolution
Published by
Palgrave Macmillan, Cham, January 2024
DOI 10.1007/978-3-031-41854-9_11
Book ISBNs
978-3-03-141853-2, 978-3-03-141854-9
Authors

Tivenga, Doreen Rumbidzai

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