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The State of Post-Cinema

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Cover of 'The State of Post-Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Like Water: On the Re-Configurations of the Cinema in the Age of Digital Networks
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    Chapter 2 Venice to Go: Cultural In/Difference and the Digital Ecology of Film
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    Chapter 3 Arab Storytelling in the Digital Age: From Musalsalāt to Web Drama?
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    Chapter 4 Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding in the Digital Age
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    Chapter 5 The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction
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    Chapter 6 Watching the Forbidden: Reception of Banned Films in Iran
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    Chapter 7 Why Stories Matter: Jafar Panahi and the Contours of Cinema
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    Chapter 8 Informal Translation, Post-Cinema and Global Media Flows
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    Chapter 9 Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)Stability of the Multiplex Market
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    Chapter 10 Distributing Moving Image Art After Digitization
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    Chapter 11 Cinephilia and Film Culture in the Age of Digital Networks
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    Chapter 12 The Secret Lives of Images
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    Chapter 13 De-coding or Re-Encoding?
Attention for Chapter 5: The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction
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