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The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters

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Cover of 'The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction—Why Compare the Irish Renaissance with the Chinese Renaissance?
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    Chapter 2 Yeats and Lu Xun: Postcolonised Modernists?
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    Chapter 3 How Lu Xun Translated Yeats and the Irish Revival
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    Chapter 4 Yeats’s Reception in China: How Chinese May Fourth Writers Translated Yeats and the Irish Revival
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    Chapter 5 Tempests in Tenements and Teahouses: A Comparison of Irish Revivalist Seán O’Casey’s Trilogy of Plays with Lao She’s Teahouse
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    Chapter 6 Spreading the News Lady Gregory’s Plays Made It All the Way to China! a Gendered Comparison of “Founding Mothers” Lady Gregory in Revivalist Ireland and Qiu Jin in China
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    Chapter 7 How Was the New Woman Constructed in Revivalist Ireland and May Fourth China? A Comparison of Socialist and Feminist Writers Ding Ling and Eva Gore-Booth
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    Chapter 8 Irish Revivalist J. M. Synge and Chinese May Fourth Playwright Cao Yu: ‘Boys’ Who ‘Play’ in the Postcolonised Wilderness ?
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    Chapter 9 Did Ye Ever Hear of the Christmas Rising by Liu Bannong? Receptions of the 1916 Irish Easter Rising in Republican Era China
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    Chapter 10 Conclusion: Transnational Connections—Was Postcolonised Modernist Ireland a More Relatable Postcolonised Model for Chinese May Fourth Intellectuals?
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