Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature

Chapter 2 Where is my Eye? Gendered Cyborgs, the Male Gaze, and Lack in La primera calle de la soledad [ The First Street of Solitude ] and “Esferas de visión” [“Spheres of Vision”]

Chapter 3 Televisual Subjectivities: Mediatic Ultraviolence and Disappearing Bodies in “Ruido gris” [“Gray Noise”] and Punto cero [Point Zero] by Pepe Rojo

Chapter 4 Fake Presidents and Fake News: Holograms and Virtual Lenses in Eve Gil’s Virtus and Guillermo Lavín’s “Él piensa que algo no encaja” [“He Thinks Something is Off”]

Chapter 5 Conclusion: Specular Fictions in the Age of Embodied Internet