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John Ruskin, the Pre-Raphaelites, and Religious Imagination

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Cover of 'John Ruskin, the Pre-Raphaelites, and Religious Imagination'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: ‘All Great Art Is Praise’ John Ruskin
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    Chapter 2 Earth and Heaven: Ruskin on Dirt, Work, and Beauty
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    Chapter 3 Ruskin’s Venice: Embracing Sacred Fragments of Imperfect Beauty
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    Chapter 4 ‘Those Are Leaves’: Ruskin’s Analogical Imagination and the Pre-Raphaelite Theology of Nature
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    Chapter 5 Sounds and Visions at the Chapel of St Michael and All Angels
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    Chapter 6 Ruskin, Rossetti, and the Sacra Conversazione of Colour
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    Chapter 7 ‘The Loveliest Traditions of the Christian Legend’: Ruskin, Burne-Jones, and the Imaging of the Cross
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    Chapter 8 Crystal Balls: Visions of Creation in the Art of Burne-Jones
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    Chapter 9 A World Without Ceiling: Mary Watts’ ‘Language of Symbols’ at Limnerslease
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    Chapter 10 Victorian Exodus: Visualising the Old Testament in Dalziels’ Bible Gallery (1881)
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    Chapter 11 Heaven on Earth: Evelyn De Morgan’s Rejection of Materialism
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    Chapter 12 Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions
Attention for Chapter 11: Heaven on Earth: Evelyn De Morgan’s Rejection of Materialism
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Summary
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Chapter title
Heaven on Earth: Evelyn De Morgan’s Rejection of Materialism
Chapter number 11
Book title
John Ruskin, the Pre-Raphaelites, and Religious Imagination
Published by
Palgrave Macmillan, Cham, January 2023
DOI 10.1007/978-3-031-21554-4_11
Book ISBNs
978-3-03-121553-7, 978-3-03-121554-4
Authors

Hardy, Sarah

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