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The Cultural Sociology of Art and Music

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Cover of 'The Cultural Sociology of Art and Music'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Three Generations of the French Sociology of Art
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    Chapter 3 Artist Residencies as Creative Ecologies: Proposing a New Framework for Twenty-First-Century Cultural Production
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    Chapter 4 Theory of an Art Market Scandal: Artistic Integrity and Financial Speculation in the Inigo Philbrick Case
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    Chapter 5 Constructing Difference and Diversity: Culture, Meaning, and the Social Aesthetics of American Art Music
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    Chapter 6 Locating Meaning in Contemporary Art: How Artists Conceptualize the Aesthetic Experience
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    Chapter 7 Moving Through Aesthetic Space: Visual Artists and Migration
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    Chapter 8 Mapping Multivocality: How Critics Communicate Complex Meanings Through Metaphor
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    Chapter 9 Looking Beyond Interaction: Exploring Meaning-Making Through the Windows of an Art Gallery
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    Chapter 10 Framing Performance and Fusion: How Music Venues’ Materiality and Intermediaries Shape Music Scenes
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    Chapter 11 Saron Consāto, Artistic Identity, and European Classical Music in Japan
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    Chapter 12 Owning the Hate: A Case Study of Moral Entrepreneurship in Contemporary Rock Music and the Trademarking of Racial Slurs
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    Chapter 13 The Music of the Dying Class: Jazz as the Impure Sacred in Stalinist Czechoslovakia
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    Chapter 14 Drawing the Line: Evaluation, Boundary Work, and Boundary Objects in a New Discipline
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    Chapter 15 Music and Democracy in America: Historical Perspectives on ‘Democratization’ in the Digital Age
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Title
The Cultural Sociology of Art and Music
Published by
Springer International Publishing, December 2022
DOI 10.1007/978-3-031-11420-5
ISBNs
978-3-03-111419-9, 978-3-03-111420-5
Editors

McCormick, Lisa

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