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Art History for Comics

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Cover of 'Art History for Comics'

Table of Contents

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    Book Overview
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    Chapter 1 Why Does Comics Studies Need Art History (and Vice Versa)?
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    Chapter 2 Establishing Canons, Styles and Schools at the Dawn of Comics Studies
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    Chapter 3 Iconography and Cultural History in Comics Studies
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    Chapter 4 Art History Turned Upside Down: David Kunzle and the Social History of Art
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    Chapter 5 Variations of Formalism, Modernism, Abstraction
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    Chapter 6 Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “The Cursed Earth”
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    Chapter 7 Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby’s The Mighty Thor
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    Chapter 8 Cultural History for Comics Studies: Reinterpreting the Eagle and “Dan Dare - Pilot of the Future”
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    Chapter 9 A Social History of Comics Art: Looking at Writers and Readers’ Capitalism for Beginners
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    Chapter 10 Re-framing the Avant-Garde: Different Ways of Seeing Escape
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    Chapter 11 Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow”
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    Chapter 12 Conclusion: Future Directions
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    Chapter 13 Correction to: Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow”
Attention for Chapter 6: Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “The Cursed Earth”
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