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Referentiality and the Films of Woody Allen

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Cover of 'Referentiality and the Films of Woody Allen'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Zelig : A Simulated Life
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    Chapter 3 Woody Allen’s Blue Jasmine: A Seductively Scented Flower Performing in a Theatrical Bubble
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    Chapter 4 “Thank God the French exist”: Exploring the Referentiality of the Formal Elements of Film in Deconstructing Harry
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    Chapter 5 Two and a Half: Nostalgia, Modern Parody, and Fellini in Stardust Memories, Radio Days , and To Rome with Love
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    Chapter 6 Oedipus or the Wrecks of the WASP Disguise
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    Chapter 7 Woody Allen and the Absurdity of Human Existence: Origin, Legacy, and Human Agency in God and Mighty Aphrodite
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    Chapter 8 “A full meal with a vitamin pill and extra wheatgerm”: Woody Allen, Dostoevsky, and Existential Morality
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    Chapter 9 “Darling, have you seen my Strindberg book?”: Dialogism as Social Discourse in Match Point
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    Chapter 10 Guitar and Cultural Trespass in Vicky Cristina Barcelona
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    Chapter 11 “Hi Mr. Hemingway”: Time and Space, Travel, and Literary Heritage in Midnight in Paris
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    Chapter 12 Woody and “Woody”: The Making of a Persona
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    Chapter 13 Magical Tricks and Ingmar Bergman: Referentiality in Magic in the Moonlight
Attention for Chapter 11: “Hi Mr. Hemingway”: Time and Space, Travel, and Literary Heritage in Midnight in Paris
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Chapter title
“Hi Mr. Hemingway”: Time and Space, Travel, and Literary Heritage in Midnight in Paris
Chapter number 11
Book title
Referentiality and the Films of Woody Allen
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137515476_11
Book ISBNs
978-1-137-51546-9, 978-1-137-51547-6
Authors

Klara Stephanie Szlezák, Szlezák, Klara Stephanie

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