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New Takes in Film-Philosophy

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Cover of 'New Takes in Film-Philosophy'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 On the Possibility of Cinematic Philosophy
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    Chapter 3 Re-enfranchising Film: Towards a Romantic Film-Philosophy
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    Chapter 4 Notes on Stanley Cavell and Philosophical Film Criticism
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    Chapter 5 Broken Glass by the Road: Adorno and a Cinema of Negativity
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    Chapter 6 Film Can’t Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema
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    Chapter 7 The Loom of Fate: Graphic Origins and Digital Ontology in Wanted
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    Chapter 8 Film, Literature and Non-Cognitive Affect
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    Chapter 9 Theory as Style: Adapting Crash via Baudrillard and Cronenberg
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    Chapter 10 The Ghost is the Machine: Media-Philosophy and Materialism
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    Chapter 11 Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema
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    Chapter 12 Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s Blue
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    Chapter 13 Serious Men: The Films of the Coen Brothers as Ethics
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    Chapter 14 A Bleak Burlesque: Michael Haneke’s Funny Games as a Study in Violence
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    Chapter 15 In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto’s Vital
Attention for Chapter 14: A Bleak Burlesque: Michael Haneke’s Funny Games as a Study in Violence
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Chapter title
A Bleak Burlesque: Michael Haneke’s Funny Games as a Study in Violence
Chapter number 14
Book title
New Takes in Film-Philosophy
Published by
Palgrave Macmillan, London, January 2011
DOI 10.1057/9780230294851_14
Book ISBNs
978-0-230-25029-1, 978-0-230-29485-1
Authors

Andrew McGettigan, McGettigan, Andrew

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