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Spaces of Surveillance

Overview of attention for book
Cover of 'Spaces of Surveillance'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Equality and Erasure: Responses to Subject Negation in the Art of Jill Magid
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    Chapter 3 Camera Performed: Visualising the Behaviours of Technology in Digital Performance
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    Chapter 4 ‘She’s not There’—Shallow Focus on Privacy, Surveillance, and Emerging Techno-Mediated Modes of Being in Spike Jonze’s Her
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    Chapter 5 Surveillance in Zero Dark Thirty: Terrorism, Space and Identity
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    Chapter 6 To See and to Be Seen: Surveillance, the Vampiric Lens and the Undead Subject
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    Chapter 7 Watching Through Windows: Bret Easton Ellis and Urban Surveillance
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    Chapter 8 Participating in ‘1984’: The Surveillance of Sousveillance from White Noise to Right Now
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    Chapter 9 Surveillance in Post-Postmodern American Fiction: Dave Eggers’s The Circle, Jonathan Franzen’s Purity and Gary Shteyngart’s Super Sad True Love Story
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    Chapter 10 Surveilling Citizens: Claudia Rankine, From the First to the Second Person
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    Chapter 11 Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context
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    Chapter 12 Sousveillance as a Tool in US Civic Polity
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    Chapter 13 Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora
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    Chapter 14 Erratum to: Surveilling Citizens: Claudia Rankine, From the First to the Second Person
Attention for Chapter 1: Introduction
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Citations

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Chapter title
Introduction
Chapter number 1
Book title
Spaces of Surveillance
Published by
Palgrave Macmillan, Cham, January 2017
DOI 10.1007/978-3-319-49085-4_1
Book ISBNs
978-3-31-949084-7, 978-3-31-949085-4
Authors

Susan Flynn, Antonia Mackay

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Other 1 100%
Readers by discipline Count As %
Arts and Humanities 1 100%

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