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Italian Jewish Musicians and Composers under Fascism

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Cover of 'Italian Jewish Musicians and Composers under Fascism'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Forms and Methods of Anti-Jewish Persecution in Fascist Italy from 1938 to 1943
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    Chapter 3 Cultural Cleansing in Italian Music Criticism in the Early 1930s: Autarchy, Eugenics and Anti-Semitism
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    Chapter 4 Jazz in Fascist Italy: Social Impact, Politics, and Racism
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    Chapter 5 La Scala, the Jews and Erich Kleiber: An Anti-Semitic Episode of December 1938
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    Chapter 6 Music in Transit: The Exile of Italian Jewish Musicians from Fascist Italy
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    Chapter 7 “Wir treffen uns am Schluss” (We Shall Meet at the End)—Kurt Sonnenfeld (1921–1997) at Ferramonti: The Persecution, the Exile, the Internment, the Music
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    Chapter 8 An Expedient Alliance? Musical Relationships between Nazi Germany and Fascist Italy in the period between 1933 and 1945
Attention for Chapter 7: “Wir treffen uns am Schluss” (We Shall Meet at the End)—Kurt Sonnenfeld (1921–1997) at Ferramonti: The Persecution, the Exile, the Internment, the Music
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Chapter title
“Wir treffen uns am Schluss” (We Shall Meet at the End)—Kurt Sonnenfeld (1921–1997) at Ferramonti: The Persecution, the Exile, the Internment, the Music
Chapter number 7
Book title
Italian Jewish Musicians and Composers under Fascism
DOI 10.1007/978-3-030-52931-4_7
Book ISBNs
978-3-03-052930-7, 978-3-03-052931-4
Authors

Deluca, Raffaele

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