US Historical Fiction Since 2000
Book chapter (July 2020)
Reading Historical Fiction
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Reading the Represented Past: History and Fiction from 1700 to the Present
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Altmetric BadgeChapter 2 Learning to Read the Past in the Early Historical Novel
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Altmetric BadgeChapter 3 Temporal Systems in Representations of the Past: Distance, Freedom and Irony in Historical Fiction
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Altmetric BadgeChapter 4 ‘All Histories Are Against You?’: Family History, Domestic History and the Feminine Past in Northanger Abbey and Persuasion
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Altmetric BadgeChapter 5 Rereading Hogarth and Pope: Authenticity and Academic Fictions of the Eighteenth Century
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Altmetric BadgeChapter 6 Panoramic Byron: Reading, History and Pre-cinematic Spectacle
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Altmetric BadgeChapter 7 ‘The Painted Record’ in George Eliot’s Historical Novel Romola
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Altmetric BadgeChapter 8 Reading and Remembering History in Daniel Defoe’s A Journal of the Plague Year
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Altmetric BadgeChapter 9 The Gothic Reader: History, Fear and Trembling
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Altmetric BadgeChapter 10 Notes Towards a Poethics of Spectrality: The Examples of Neo-Victorian Textuality
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Altmetric BadgeChapter 11 Dickens and Ways of Seeing the French Revolution: A Tale of Two Cities
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Altmetric BadgeChapter 12 The Uses of History: The Historical Novel in the Post-French Revolution Debate and Ellis Cornelia Knight’s Marcus Flaminius (1792)
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Altmetric BadgeChapter 13 The Living Past and the Fellowship of Sacrificial Violence in William Morris’s A Dream of John Ball
Attention for Chapter 3:
Temporal Systems in Representations of the Past: Distance, Freedom and Irony in Historical Fiction