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The Poetics of Chinese Cinema

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Cover of 'The Poetics of Chinese Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Poetics of Chinese Cinema
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    Chapter 2 Five Lessons from Stealth Poetics
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    Chapter 3 Red Poetics: The Films of the Chinese Cultural Revolution Revolutionary Model Operas
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    Chapter 4 Renewal of Song Dynasty Landscape Painting Aesthetics Combined with a Contemplative Modernism in the Early Work of Chen Kaige
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    Chapter 5 Poetics of Two Springs: Fei Mu versus Tian Zhuangzhuang
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    Chapter 6 Remaking Ozu: Hou Hsiao-hsien’s Café Lumière
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    Chapter 7 Hong Kong Puzzle Films: The Persistence of Tradition
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    Chapter 8 Can Poetics Break Bricks?
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    Chapter 9 Poetics of Parapraxis and Reeducation: The Hong Kong Cantonese Cinema in the 1950s
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    Chapter 10 China as Documentary: Some Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke)
Attention for Chapter 5: Poetics of Two Springs: Fei Mu versus Tian Zhuangzhuang
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Chapter title
Poetics of Two Springs: Fei Mu versus Tian Zhuangzhuang
Chapter number 5
Book title
The Poetics of Chinese Cinema
Published by
Palgrave Macmillan US, September 2016
DOI 10.1057/978-1-137-55309-6_5
Book ISBNs
978-1-137-56608-9, 978-1-137-55309-6
Authors

James Udden

Editors

Gary Bettinson, James Udden

View on publisher site

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