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Visual Culture Wars at the Borders of Contemporary China

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Cover of 'Visual Culture Wars at the Borders of Contemporary China'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 4 Imagined Mappings of Geopolitical Power: Liquid Borders, Military Infrastructures and Ecological Destruction in the South China Sea
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    Chapter 5 Rendering Frontiers: From China’s Historical Dynastic-Imperial to Modern Republican Borders and the Changing Significances of Chinese Art
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    Chapter 6 Confucianism and Technology: Critical Reflections on the Borders Between Chinese and Euro-American Modernity
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    Chapter 7 Remediating China’s Virtual Borders: The Ambient Myth of Moha (Toad Worship)
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    Chapter 8 Taming China’s Southern Frontiers Through Song and Dance: Chauvinisms (Han and Male) in The Red Detachment of Women
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    Chapter 9 Biopolitical Borders, Female Bodies and Knowledge About “Women” in the Work of the Beijing-Based Artists Ma Qiusha and Hu Xiaoyuan
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    Chapter 10 Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin
Attention for Chapter 9: Biopolitical Borders, Female Bodies and Knowledge About “Women” in the Work of the Beijing-Based Artists Ma Qiusha and Hu Xiaoyuan
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Chapter title
Biopolitical Borders, Female Bodies and Knowledge About “Women” in the Work of the Beijing-Based Artists Ma Qiusha and Hu Xiaoyuan
Chapter number 9
Book title
Visual Culture Wars at the Borders of Contemporary China
Published by
Palgrave Macmillan, Singapore, January 2021
DOI 10.1007/978-981-16-5293-6_9
Book ISBNs
978-9-81-165292-9, 978-9-81-165293-6
Authors

Pittwood, Linda Jean

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