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Adorno and Art

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Cover of 'Adorno and Art'

Table of Contents

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    Book Overview
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    Chapter 1 Anti-Introduction: Paint It Black
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    Chapter 2 Critical Messages in a Bottle and Restoration
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    Chapter 3 Excursus I — The Prevalence of a View: Being Uncompromisingly Critical at the Grand Hotel Abyss
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    Chapter 4 Excursus II — The Prevalence of a View: ‘Don’t participate:’ The Politics of Social Praxis
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    Chapter 5 Aesthetic Messages in a Bottle and Progress
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    Chapter 6 Messages in a Bottle as the Work of Art
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    Chapter 7 The Politics of Artistic Practice: ‘What artist isn’t socially engaged?’
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    Chapter 8 The Politics of Spectatorship: Shocking Spectators
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    Chapter 9 The Politics of Aesthetic (Mis-)Education
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    Chapter 10 Contemporary Art Itself Thinking: Making the Invisible Visible?
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    Chapter 11 Anti-Conclusion: The Russian Ending
Attention for Chapter 7: The Politics of Artistic Practice: ‘What artist isn’t socially engaged?’
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Chapter title
The Politics of Artistic Practice: ‘What artist isn’t socially engaged?’
Chapter number 7
Book title
Adorno and Art
Published by
Palgrave Macmillan, London, January 2014
DOI 10.1057/9781137315717_7
Book ISBNs
978-1-349-34509-0, 978-1-137-31571-7
Authors

James Hellings

View on publisher site

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