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Indigenous African Popular Music, Volume 1

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Cover of 'Indigenous African Popular Music, Volume 1'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Indigenous African Popular Music
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    Chapter 2 Indigenous and Modern Zimbabwean Music: Reflections from Thomas Mapfumo’s Chimurenga Music Genre
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    Chapter 3 Rhythmic Signifying in Popular Venda Music
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    Chapter 4 Baansi ni Yila: A Critical History of the Music Industry in Northern Ghana
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    Chapter 5 Indigenous and Indigenised Yoruba Popular Music
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    Chapter 6 Social Cognition and Advertisement in Yusuf Olatunji’s Music
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    Chapter 7 Exploring the Value Systems Embedded in Indigenous Yorùbá Music Genres and Yorùbá Nursery Rhymes
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    Chapter 8 Cultural Frames: Sociocultural Metaphors in Owerri-Igbo Bongo Music
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    Chapter 9 Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization and Contradictions: Discourse Narrative
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    Chapter 10 Dung Chollom and Berom Ethnic Popular Music
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    Chapter 11 Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura’s Music
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    Chapter 12 Forewarned Is Forearmed: Exploring the Apocalyptic Voice of Popular Music in the Post-colonial Zimbabwe
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    Chapter 13 Reeling Nostalgia: ‘Aremote’ and the Enduring Sakara Music in Nigeria
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    Chapter 14 Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour)
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    Chapter 15 Yorùbá Socio-Cultural Norms and Values in Selected Songs of Bùkọ́lá Ẹlémìdé (Áṣà)
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    Chapter 16 Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation
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    Chapter 17 Valódia: A Transatlantic Praise Song
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    Chapter 18 The Adaptation of Zimbabwean Mbira Dzavadzimu Music, from Traditional to Modern Popular Band Format; the Case of Thomas Mapfumo
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    Chapter 19 Macheso’s Sungura and Social Identity Narratives in Postcolonial Zimbabwe
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    Chapter 20 “One Beat, One Pound”: Kasumu Isola Sanni—The Sákárà Master Drummer
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    Chapter 21 When Culture and Tradition Aren’t Archaic: The Song Semantics of Zimbabwean Mbira’s International Appeal
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Title
Indigenous African Popular Music, Volume 1
Published by
Springer International Publishing, January 2022
DOI 10.1007/978-3-030-97884-6
ISBNs
978-3-03-097883-9, 978-3-03-097884-6
Editors

Abiodun Salawu, Israel A. Fadipe

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