Chapter 1 Editors’ Introduction

Chapter 2 The People’s Mixtape: Peer-to-Peer File Sharing without the Internet in Contemporary Cuba

Chapter 3 Musica Analytica: The Datafication of Listening

Chapter 5 Streaming Music in Japan: Corporate Cultures as Determinants of Listening Practice

Chapter 6 Making Sense of Acquiring Music in Mexico City

Chapter 7 Reading Songs, Experiencing Music: Co-creation, Materiality and Expertise in Beck’s Song Reader

Chapter 8 The Digital Music Boundary Object

Chapter 9 ‘A Step Back to the Dark Ages of the Music Industry’: Democratisation of Record Production and Discourses on Spotify in Kuka Mitä Häh?

Chapter 10 Off the Charts: The Implications of Incorporating Streaming Data into the Charts

Chapter 11 Rethinking the Digital Playlist: Mixtapes, Nostalgia and Emotionally Durable Design

Chapter 12 A Song for Ireland? Policy Discourse and Wealth Generation in the Music Industry in the Context of Digital Upheavals and Economic Crisis

Chapter 13 Pachelbel This Ain’t: Mashups and Canon (De)formation

Chapter 14 Music Streaming the Everyday Life