Chapter 1 Introduction: Form, Forms, and Forming

Chapter 2 Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice

Chapter 3 Convention and Constraint: Form in the Innovative Sonnet Sequence

Chapter 4 Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch

Chapter 5 Meddling the Medieval: Caroline Bergvall and Erín Moure

Chapter 6 Translation as Occupation: Simon Perril and Sean Bonney

Chapter 7 Rosmarie Waldrop: Poetics, Wild Forms, and Palimpsest Prose

Chapter 8 The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place, and John Seed

Chapter 9 Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry

Chapter 11 Geraldine Monk’s Poetics and Performance: Catching Form in the Act

Chapter 12 Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs