Adapting Margaret Atwood

Chapter 1 Introduction: Stories of Adaptation—Changing Objects with Margaret Atwood

Chapter 2 “Atwood’s Hag-Seed and The Heart Goes Last, a Generic Romp”

Chapter 3 “Negotiating with the Dead”: Authorial Ghosts and Other Spectralities in Atwood’s Adaptations

Chapter 4 Transforming the Human and the Novel: The Utopian Potential of Resilience in Margaret Atwood’s MaddAddam Trilogy

Chapter 5 Atwood’s Protean Poetics: Adaptation in the Service of Survival

Chapter 6 Feminist Adaptations/Adaptations of Feminism: Margaret Atwood’s The Penelopiad

Chapter 7 The Unreliable Female (Narrator) in Mary Harron’s Miniseries Alias Grace

Chapter 8 The Figure of the Objectified Servant, from the Silent Biblical Maid to the Twenty-First-Century Web TV Rebel

Chapter 9 Shallow Focus Composition and the Poetics of Blur in The Handmaid’s Tale (Hulu, 2017–)

Chapter 10 Feminism, Facts, and Fear: The Protean Reception of The Handmaid’s Tale (Atwood 1985, Miller 2017–)

Chapter 11 You Are Here: The Handmaid’s Tale as Graphic Novel

Chapter 12 Offred at the Opera: Dimensions of Adaptation in Poul Ruders and Paul Bentley’s The Handmaid’s Tale

Chapter 13 Staging The Penelopiad

Chapter 14 Filming Alias Grace

Chapter 15 Filming The Handmaid’s Tale