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Musical Performance : A Comprehensive Approach: Theory, Analytical Tools, and Case Studies
Overview of attention for book
Table of Contents
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Book Overview
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Chapter 1
Introduction and Overview
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Chapter 2
List of Symbols
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Chapter 3
Short History of Performance Theory
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Chapter 4
Oniontology
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Chapter 5
What Is Structure Theory?
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Chapter 6
Tempo Curves
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Chapter 7
Tuning, Intonation, and Dynamics
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Chapter 8
Combining Tempo, Tuning, and Dynamics
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Chapter 9
Articulation
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Chapter 10
General Performance Fields
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Chapter 11
The Category of Performance Cells and Hierarchies
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Chapter 12
What Is Expressive Theory?
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Chapter 13
Emotional Expression
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Chapter 14
Gestural Expression
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Chapter 15
Analytical Expression
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Chapter 16
Analytical Weights
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Chapter 17
Shaping Operators
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Chapter 18
Two Generic Models and the Challenge of Improvisation
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Chapter 19
String Quartet Theory
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Chapter 20
Performance Scores
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Chapter 21
Stemma Theory
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Chapter 22
Case Studies
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Chapter 23
Statistics
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Chapter 24
What Is Inverse Performance Theory?
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Chapter 25
The Technical Setup
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Chapter 26
Schumann’s Träumerei : Argerich vs. Horowitz
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Chapter 27
Rethinking Music Critique
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Chapter 28
Summary of Performance Theory
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Chapter 29
Future Developments
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Chapter 30
Erratum to: Oniontology
Overall attention for this book and its chapters
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About this Attention Score
In the top 25% of all research outputs scored by Altmetric
High Attention Score compared to outputs of the same age (86th percentile)
High Attention Score compared to outputs of the same age and source (91st percentile)
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Book overview
1. Introduction and Overview
2. List of Symbols
3. Short History of Performance Theory
4. Oniontology
5. What Is Structure Theory?
6. Tempo Curves
7. Tuning, Intonation, and Dynamics
8. Combining Tempo, Tuning, and Dynamics
9. Articulation
10. General Performance Fields
11. The Category of Performance Cells and Hierarchies
12. What Is Expressive Theory?
13. Emotional Expression
14. Gestural Expression
15. Analytical Expression
16. Analytical Weights
17. Shaping Operators
18. Two Generic Models and the Challenge of Improvisation
19. String Quartet Theory
20. Performance Scores
21. Stemma Theory
22. Case Studies
23. Statistics
24. What Is Inverse Performance Theory?
25. The Technical Setup
26. Schumann’s Träumerei : Argerich vs. Horowitz
27. Rethinking Music Critique
28. Summary of Performance Theory
29. Future Developments
30. Erratum to: Oniontology
Summary
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Syllabi
Wikipedia
Q&A
Dimensions citations
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So far, Altmetric has seen this research output assigned in
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Performing Arts