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Metatheatrical Dramaturgies of Violence

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Cover of 'Metatheatrical Dramaturgies of Violence'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Staging the Role of Theatre
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    Chapter 2 Performative Violence and Self-Reflexive Dramaturgy: A Study of Guillermo Calderón’s Kiss and Other Works
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    Chapter 3 “Touching Something Real”: The Critique of Historical and Theatrical Methodology in Jackie Sibblies Drury’s We Are Proud to Present…
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    Chapter 4 The Ethics of Imagining Others: The Limits of “Performative Witness” in Michael Redhill’s Goodness and Erik Ehn’s Thistle
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    Chapter 5 Staging Rage: A Feminist Perspective on Theatrical Self-Reflexivity in Ella Hickson’s The Writer and Tim Crouch’s The Author
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    Chapter 6 Metatheatrical Dramaturgies of Reception: Mirroring the Audience in Ontroerend Goed’s Audience and Jackie Sibblies Drury’s Fairview
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    Chapter 7 Conclusion
Attention for Chapter 2: Performative Violence and Self-Reflexive Dramaturgy: A Study of Guillermo Calderón’s Kiss and Other Works
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