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The last Plantagenet consorts : gender, genre, and historiography, 1440-1627

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Cover of 'The last Plantagenet consorts : gender, genre, and historiography, 1440-1627'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Queen as Cipher in the Medieval Period
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    Chapter 2 Narrating Queens in the Fifteenth Century
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    Chapter 3 “By meane of a woman”: Changing the Subject in Polydore Vergil’s Anglica Historia and Sir Thomas More’s History of King Richard the Third
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    Chapter 4 “The point of a very woman”: Gendering Destabilization in Edward Hall’s Union and Raphael Holinshed’s Chronicles
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    Chapter 5 Queens in the Margins: Allegorizing Anxiety in A Mirror for Magistrates
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    Chapter 6 Performing Queenship in Legge’s Richardus Tertius, The True Tragedy of Richard III , and Thomas Heywood’s Edward IV
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    Chapter 7 “A queen in jest”: Queenship and Historical Subversion in Shakespeare’s First Tetralogy
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    Chapter 8 “The fetters of her sex”: Voicing Queens in the Historical Poetry of Michael Drayton and Samuel Daniel
Attention for Chapter 6: Performing Queenship in Legge’s Richardus Tertius, The True Tragedy of Richard III , and Thomas Heywood’s Edward IV
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Chapter title
Performing Queenship in Legge’s Richardus Tertius, The True Tragedy of Richard III , and Thomas Heywood’s Edward IV
Chapter number 6
Book title
The Last Plantagenet Consorts
Published by
Palgrave Macmillan, New York, January 2012
DOI 10.1057/9780230392991_6
Book ISBNs
978-1-349-35217-3, 978-0-230-39299-1
Authors

Kavita Mudan Finn

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