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Womanist and Black Feminist Responses to Tyler Perry’s Productions

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Cover of 'Womanist and Black Feminist Responses to Tyler Perry’s Productions'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Filmography
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    Chapter 3 Tyler Perry Reads Scripture
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    Chapter 4 Signifying Love and Embodied Relationality: Toward a Womanist Theological Anthropology
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    Chapter 5 Jesus Will Fix It, After While: The Purpose and Role of Gospel Music in Tyler Perry Productions
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    Chapter 6 Screening God
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    Chapter 7 “A People That Would Take Care of Ourselves”: Tyler Perry’s Vision of Community and Gender Relations
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    Chapter 8 “It Ain’t Where You Comin’ from, Honey”: Class, Social Mobility, and Marriage in Tyler Perry’s Madea’s Family Reunion
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    Chapter 9 Mad Black Bitches and Ladylike Saints: Representations of African American Womanhood in Tyler Perry Films
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    Chapter 10 (Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism, and the Politics of Legitimation
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    Chapter 11 Pause, Auntie Momma! Reading Religion in Tyler Perry’s Fat Drag
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    Chapter 12 Madea vs. Medea : Agape and the Militarist or Murderous Maternal
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    Chapter 13 Tyler Perry and the (Mis)Representation of Religious Morality
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    Chapter 14 “Do You Want to Be Well?” The Gospel Play, Womanist Theology, and Tyler Perry’s Artistic Project
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    Chapter 15 Talking Back and Taking My “Amens” with Me: Tyler Perry and the Narrative Colonization of Black Women’s Stories
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    Chapter 16 Afterword
Attention for Chapter 12: Madea vs. Medea : Agape and the Militarist or Murderous Maternal
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Chapter title
Madea vs. Medea : Agape and the Militarist or Murderous Maternal
Chapter number 12
Book title
Womanist and Black Feminist Responses to Tyler Perry’s Productions
Published by
Palgrave Macmillan, New York, January 2014
DOI 10.1057/9781137429568_12
Book ISBNs
978-1-349-49187-2, 978-1-137-42956-8
Authors

Joy James

View on publisher site

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