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Sarah Waters and Contemporary Feminisms

Overview of attention for book
Cover of 'Sarah Waters and Contemporary Feminisms'

Table of Contents

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    Book Overview
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    Chapter 1 Sarah Waters’s Feminisms
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    Chapter 2 Teasing (Out) a New Generation: The Writing of Sarah Waters
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    Chapter 3 Quick and Queer: Love-Life-Writing in Orlando and Affinity
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    Chapter 4 ‘Accompanied by Ghosts’: The Changing Uses of the Past in Sarah Waters’s Lesbian Fiction
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    Chapter 5 Anxious Affinities: Gender and Déréliction in Sarah Waters’s Neo-Forties Novels
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    Chapter 6 The Feminist Gothic in The Little Stranger : Troubling Narratives of Continuity and Change
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    Chapter 7 The Feminist Politics of Textuality: Reading the Feminism of Julia Kristeva in Fingersmith
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    Chapter 8 ‘Better a prison … than a madhouse!’: Incarceration and the Neo-Victorian Fictions of Sarah Waters
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    Chapter 9 Written on the Body: Wounded Men and Ugly Women in The Little Stranger
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    Chapter 10 ‘My Dress Is Not a Yes’: Coalitions of Resistance in SlutWalk and the Fictions of Sarah Waters
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    Chapter 11 ‘Grisley “L” business’: Re-valuing Female Masculinity and Butch Subjectivity in Tipping the Velvet and The Night Watch
Attention for Chapter 6: The Feminist Gothic in The Little Stranger : Troubling Narratives of Continuity and Change
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Citations

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Chapter title
The Feminist Gothic in The Little Stranger : Troubling Narratives of Continuity and Change
Chapter number 6
Book title
Sarah Waters and Contemporary Feminisms
Published by
Palgrave Macmillan, London, January 2016
DOI 10.1057/978-1-137-50608-5_6
Book ISBNs
978-1-137-50607-8, 978-1-137-50608-5
Authors

Gina Wisker, Wisker, Gina

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 100%
Readers by discipline Count As %
Arts and Humanities 1 100%

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