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Writing and Performing Female Identity in Italian Culture

Overview of attention for book
Cover of 'Writing and Performing Female Identity in Italian Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Broken Language of High Poetry: Agency and Emotion in Teresino by Vivian Lamarque
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    Chapter 3 Re-appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani and Oliva Gualtieri Bernardi
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    Chapter 4 Mambo and Maggiorate : Italian Female Stardom in the 1950s
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    Chapter 5 Mina: Narrative and Cinematic Spectacle of the Italian Woman of the 1960s
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    Chapter 6 Beyond the “Male Gaze”—Conceiving the “Fourth” Gaze in La bestia nel cuore
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    Chapter 7 From Fairy Tale to Hysteria: Women in Italian Theater in the Early 1950s
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    Chapter 8 Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theater
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    Chapter 9 Staging the (Sur)real World: Soledad Agresti’s Theater of Women
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    Chapter 10 Writing History, Trauma, and the (Dis/Re) Appearance of the Body in Cutrufelli’s La briganta
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    Chapter 11 The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe
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    Chapter 12 Space and Sexuation in the Fin de Siècle Italian Female Narrative
Attention for Chapter 8: Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theater
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Summary
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Chapter title
Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theater
Chapter number 8
Book title
Writing and Performing Female Identity in Italian Culture
Published by
Palgrave Macmillan, Cham, January 2017
DOI 10.1007/978-3-319-40835-4_8
Book ISBNs
978-3-31-940834-7, 978-3-31-940835-4
Authors

Alex Standen

View on publisher site

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