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Sound - Perception - Performance

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Cover of 'Sound - Perception - Performance'

Table of Contents

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    Book Overview
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    Chapter 1 Synchronization and Self-Organization as Basis of Musical Performance, Sound Production, and Perception
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    Chapter 2 A Free Energy Formulation of Music Generation and Perception: Helmholtz Revisited
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    Chapter 3 Change and Continuity in Sound Analysis: A Review of Concepts in Regard to Musical Acoustics, Music Perception, and Transcription
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    Chapter 4 Quantal Elements in Musical Experience
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    Chapter 5 Strong Emotions in Music: Are they an Evolutionary Adaptation?
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    Chapter 6 Music and Action
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    Chapter 7 Music for the Brain Across Life
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    Chapter 8 The Perception of Melodies: Some Thoughts on Listening Style, Relational Thinking, and Musical Structure
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    Chapter 9 Virtual Room Acoustics
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    Chapter 10 The Wave Field Synthesis Lab at the HAW Hamburg
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    Chapter 11 The μ ·cos m Project: An Introspective Platform to Study Intelligent Agents in the Context of Music Ensemble Improvisation
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    Chapter 12 Acoustical Measurements on Experimental Violins in the Hanneforth Collection
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    Chapter 13 Fourier-Time-Transformation (FTT), Analysis of Sound and Auditory Perception
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    Chapter 14 Performance Controller for Physical Modelling FPGA Sound Synthesis of Musical Instruments
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    Chapter 15 Multisymplectic Pseudo-Spectral Finite Difference Methods for Physical Models of Musical Instruments
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    Chapter 16 Human–Computer Interaction and Music
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Title
Sound - Perception - Performance
Published by
Springer Science & Business Media, May 2013
DOI 10.1007/978-3-319-00107-4
ISBNs
978-3-31-900107-4, 978-3-31-900106-7
Editors

Bader, Rolf

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 82 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
United States 2 2%
Colombia 1 1%
United Kingdom 1 1%
Brazil 1 1%
Greece 1 1%
Tunisia 1 1%
Unknown 75 91%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 25 30%
Student > Master 16 20%
Researcher 11 13%
Student > Bachelor 5 6%
Professor 5 6%
Other 13 16%
Unknown 7 9%
Readers by discipline Count As %
Psychology 17 21%
Arts and Humanities 17 21%
Engineering 9 11%
Neuroscience 5 6%
Computer Science 5 6%
Other 17 21%
Unknown 12 15%