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Reorienting Chinese Stars in Global Polyphonic Networks

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Cover of 'Reorienting Chinese Stars in Global Polyphonic Networks'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Laying out the Terrain of Voice-Driven Star Discourse in Chinese Cinemas
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    Chapter 2 Mediating Action and Speech: Michelle Yeoh’s Star Discourse in Pan-Pacific Connections
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    Chapter 3 Fan Bingbing and the Sound of the Rising China
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    Chapter 4 From “King of Mandopop” to the New “Kato”: Jay Chou’s Transnational Stardom and His Brand of Coolness
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    Chapter 5 Tang Wei’s Stardom in and Beyond Sinophone Media Culture: Linguistic Versatility, Public Reception, Chinese-Korean Cultural Imagination
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    Chapter 6 Takeshi Kaneshiro’s Bi-ethnic, Multilingual Screen Persona
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    Chapter 7 The Female Voice in Two of Stanley Kwan’s Sinophone Films: Maggie Cheung, Sammi Cheng, and the (Un)translatability of Personae
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    Chapter 8 Voices of Mulan in Animated and Live-Action Cinematic Spaces
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    Chapter 9 Can You Hear the Kung Fu Star?: Rediscovering Bruce Lee’s Vocal Persona in the Digital Culture
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    Chapter 10 Conclusion: Reconsidering Chinese Film Stars—Toward a Polyphonic Networked Persona
Attention for Chapter 6: Takeshi Kaneshiro’s Bi-ethnic, Multilingual Screen Persona
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Chapter title
Takeshi Kaneshiro’s Bi-ethnic, Multilingual Screen Persona
Chapter number 6
Book title
Reorienting Chinese Stars in Global Polyphonic Networks
Published by
Palgrave Macmillan, Singapore, March 2021
DOI 10.1007/978-981-16-0313-6_6
Book ISBNs
978-9-81-160312-9, 978-9-81-160313-6
Authors

Dorothy Wai Sim Lau, Lau, Dorothy Wai Sim

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