The Five Senses in Nabokov's Works

Chapter 1 ‘Do the Senses Make Sense?’: An Introduction

Chapter 2 Senses, Minds, Meanings, and Values in Nabokov: Do the Senses Make Sense?

Chapter 3 ‘To Breathe the Dust of This Painted Life’: Modes of Engaging the Senses in Vladimir Nabokov’s Invitation to a Beheading

Chapter 4 Nabokov’s Visceral, Cerebral, and Aesthetic Senses

Chapter 5 Developing Transnational Style: Particularities of Nabokov’s Lexicon and Cognitive Frames in The Gift in Relation to the Five Senses

Chapter 6 An Eden of Sensations: The Five Senses in Speak, Memory

Chapter 7 A Look at the Spectropoetics of Photography in Nabokov’s Fiction

Chapter 8 Visual Agnosia in Nabokov: When One of the Senses Can’t Make Sense

Chapter 9 Translating Taste and Switching Tongues

Chapter 10 Translation as Craft and Heroic Deed: On the Political Stakes of a Multilingual Sensoriality

Chapter 11 Sensuality and the Senses in Nabokov

Chapter 12 The ‘Eyes’ Have It: The Pleasures and Problems of Scopophilia in Nabokov’s Work

Chapter 13 The Carmen in Nabokov’s Lolita

Chapter 14 ‘I’d Like to Taste the Inside of Your Mouth’: The Mouth as Locus of Disgust in Nabokov’s Fiction

Chapter 16 Neurological Synesthesia vs Literary Synesthesia: Can Nabokov Help Bridge the Gap?

Chapter 17 Undulations and Vibrations, Tonalities and Harmonies: Nabokov, Acoustics and the Otherworld

Chapter 18 Vladimir Nabokov’s Musico-Literary Microcosm: “Sounds,” “Music,” and Nabokov’s Quartet

Chapter 19 ‘Tactio Has Come of Age’: The Tactile Sense in Nabokov’s Lolita, Pale Fire and Ada

Chapter 20 Embodied Memories in Ada, or Ardor and Speak, Memory

Chapter 21 ‘A Tactile Sensation Is a Blind Spot’: Nabokov’s Aesthetics of Touch