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Music and Diplomacy from the Early Modern Era to the Present

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Cover of 'Music and Diplomacy from the Early Modern Era to the Present'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Concealed Music in Early Modern Diplomatic Ceremonial
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    Chapter 3 Serenatas in the Service of Diplomacy in Baroque Venice
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    Chapter 4 The Leipzig Gewandhaus Orchestra and the Wages of Diplomatic Service
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    Chapter 5 Conflicting Dreams of Global Harmony in US-PRC Silk Road Diplomacy
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    Chapter 6 Constructing Universality in Early Modern French Treatises on Music and Dance
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    Chapter 7 Perpetual Peace and the Idea of “Concert” in Eighteenth-Century Thought
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    Chapter 8 “Jazz—Made in Germany” and the Transatlantic Beginnings of Jazz Diplomacy
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    Chapter 9 Music from the Embassy to the Underground in a Post-Soviet Belarus
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    Chapter 10 The Princesse des Ursins, Loyal Subject of the King of France and Foreign Princess in Rome
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    Chapter 11 Haitian Djaz Diplomacy and the Cultural Politics of Musical Collaboration
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    Chapter 12 The US Department of State’s “Hip Hop Diplomacy” in Morocco
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    Chapter 13 Opening up Thinking Space for Improvised Collaborative Public Diplomacy
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    Chapter 14 Afterword: Music’s Powers
Attention for Chapter 2: Concealed Music in Early Modern Diplomatic Ceremonial
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Summary
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Chapter title
Concealed Music in Early Modern Diplomatic Ceremonial
Chapter number 2
Book title
Music and Diplomacy from the Early Modern Era to the Present
Published by
Palgrave Macmillan US, January 2014
DOI 10.1057/9781137463272_2
Book ISBNs
978-1-349-50019-2, 978-1-137-46327-2
Authors

Arne Spohr

Editors

Rebekah Ahrendt, Mark Ferraguto, Damien Mahiet

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