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Queer/Adaptation

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Cover of 'Queer/Adaptation'

Table of Contents

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    Book Overview
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    Chapter 1 Queer/Adaptation: An Introduction
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    Chapter 2 Emancipating Madame Butterfly
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    Chapter 3 Queering Dame Agatha Christie: Barry Sandler’s Camp Adaptation of The Mirror Crack’d (1980)
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    Chapter 4 The Queer Aesthetics of Tom Ford’s Film Adaptations: A Single Man and Nocturnal Animals
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    Chapter 5 Hannibal: Beginning to Bloom
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    Chapter 6 Moonlight, Adaptation, and Queer Time
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    Chapter 7 Adaptation as Queer Touching in The Safety of Objects: Transgressing the Boundaries of Bodies and Texts
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    Chapter 8 Fuck-Scripting: Becoming-Queer in Interior. Leather Bar
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    Chapter 9 Adapting Queer Shorts to Feature Films: Does Size Really Matter?
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    Chapter 10 Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East Asian Media Flows
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    Chapter 11 Queer Many Ways: Ulrike Ottinger’s Dorian Gray im Spiegel der Boulevardpresse (1984)
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    Chapter 12 Blood Doubles: A Renegotiation of Sheridan le Fanu’s Carmilla on Film
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    Chapter 13 Hitchcock Goes to Italy and Spain: Euro Horror and Queer Adaptation
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    Chapter 14 Dazzle, Gradually: A “Tru” Account of Adapting Capote’s In Cold Blood
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    Chapter 15 Willful Infidelities: Camping Camille
Attention for Chapter 13: Hitchcock Goes to Italy and Spain: Euro Horror and Queer Adaptation
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Summary
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Chapter title
Hitchcock Goes to Italy and Spain: Euro Horror and Queer Adaptation
Chapter number 13
Book title
Queer/Adaptation
Published by
Palgrave Macmillan, Cham, February 2019
DOI 10.1007/978-3-030-05306-2_13
Book ISBNs
978-3-03-005305-5, 978-3-03-005306-2
Authors

Fernando Gabriel Pagnoni Berns, Pagnoni Berns, Fernando Gabriel

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