Memory

Table of Contents

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   Book Overview
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   Chapter 1 Address by Aad Nuis, State Secretary for Education, Culture and Science at the opening of the Congress on Sunday 1 September 1996 in Amsterdam
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   Chapter 2 Opening Address
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   Chapter 3 The Play of Memory between Words and Images
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   Chapter 4 Concluding Remarks: Some Reflections on Tribal Gossip and other Metaphors
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   Chapter 5 Art History for the Millennium: The Theme of “Time” and the London Conference in the Year 2000
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   Chapter 6 Eurocentrism and Art History? Universal History and the Historiography of the Arts before Winckelmann
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   Chapter 7 The Fondo Cicognara in the Vatican Library: Inventing the Art Library of the Future
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   Chapter 8 The Art Historian as Simonides: The Importance of Antique Memory in the Art Library, from Warburg to the Present
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    Chapter 9 The Memory of the Painter: Delacroix’s Journal
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    Chapter 10 Das „Handbuch der Kunstgeschichte“: Die Vermittlung kunsthistorischen Wissens als Anleitung zum ästhetischen Urteil
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    Chapter 11 The Archive’s Silent Record: Anti-Semitism and the Formation of Aby Warburg’s “Cultural Science”
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    Chapter 12 Antal and his Critics: A Forgotten Chapter in the Historiography of the Italian Renaissance in the Twentieth Century
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    Chapter 13 The Private World of Malinche: New Issues in Mexican Art History
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    Chapter 14 Art History in South Africa: Past and Present
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    Chapter 15 The History of Art Shaping Art?
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    Chapter 16 Technische und rechtliche Aspekte der Verwaltung von Text- und Bildrechten
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    Chapter 17 Video, ergo sum? Die Kunstgeschichte der virtuellen Bilder zwischen Erinnerungs- und Projektionstechnik
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    Chapter 18 The Military Gallery in the Winter Palace (The Hermitage): International Aspects of the National Memorial
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    Chapter 19 Die profane Wallfahrtsstätte: Gabriele D’Annunzios Vittoriale degli Italiani
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    Chapter 20 Le mythe de la «Collection Desjardins» et la constitution d’une tradition artistique au Québec
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    Chapter 21 Between the Enlightenment and the Know-Nothings: William Poyntell (1756–1811), Early American Collector of Medieval Art
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    Chapter 22 Ordnung im Gedächtnis: Alternative Überlegungen zum funktionalen und theoretischen Kontext des frühneuzeitlichen Sammlungswesens im deutschsprachigen Raum
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    Chapter 23 Collecting as Canon Formation: Art History and the Collection of Drawings in Early Modern Italy
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    Chapter 24 The Places of Painting: The Survival of Mnemotechnics in Christian von Mechel’s Gallery Arrangement in Vienna (1778–1781)
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    Chapter 25 Linked or Merged? Collecting and the Enduring Problem of Arranging Visual Information
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    Chapter 26 Collection as Creation: Isabella Stewart Gardner’s Fenway Court
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    Chapter 27 Collecting, Connoisseurship, and the Vernacular
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    Chapter 28 The Retrieval of Classical Architecture in the Quattrocento: The Role of Rhetoric in the Formulation of Alberti’s Theory of Architecture
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    Chapter 29 Bildkonzepte der Verleumdung des Apelles
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    Chapter 30 Out of Oblivion: The Later Fortuna Critica of Titian’s “St. Peter Martyr Altarpiece”
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    Chapter 31 Correggios „Leda“: ein verdrängtes Bild
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    Chapter 32 A Question of Mentality: The Changed Appreciation of Thomas Murner’s Logical Card Game (c. 1500)
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    Chapter 33 Ekphrasis, Oubli et Mémoire. Restitution du cycle pictural de la Chapelle Royale de Lisbonne
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    Chapter 34 A Lost Work by a Forgotten Artist: Gerard de Lairesse’s Stage Set “De Hofgallery”
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    Chapter 35 Obsequies in Rome for Ferdinand VI of Spain, 1759
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    Chapter 36 Giovan Pietro Bellori and the Loss and Restoration of (Ancient) Painting in Rome
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    Chapter 37 Kenotaphien auf dem Papier: Gedächtnislandschaften um 1800 von Jean Koch, Jacob Wilhelm Mechau und Janus Genelli
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    Chapter 38 Das Grabmal des Porsenna: Rekonstruktionen eines Mythos vom 16. bis 19. Jahrhundert
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    Chapter 39 Cults of the Past
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    Chapter 40 Rhodos zur Zeit der italienischen Besetzung (1912–1943): Die selektive Erinnerung und das manipulierte Denkmal
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    Chapter 41 From Oblivion to Eternity: The Château de Versailles and the Politics of Commemoration in the 1920s
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    Chapter 42 Monuments, Politics and Society: Polish Experiences (1945–1995)
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    Chapter 43 Cities as Texts: Urban Practices Represented or Forgotten in Art History
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    Chapter 44 „Gothique“-„Moderne“: Der Diskurs um die Wiederherstellung des Domes zu Speyer nach der Mitte des 18. Jahrhunderts
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    Chapter 45 The Gothic Revival in France, 1830–1845: Victor Hugo’s Notre-Dame de Paris , Popular Imagery, and a National Patrimony Discovered
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    Chapter 46 The Medieval Revival in Religious Building in Rome after the Unification of Italy
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    Chapter 47 Eine vergessene Restaurierung: die Hagia Sophia in Istanbul
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    Chapter 48 Transforming Ethics in Conservation: Change in the Care of Contemporary Art
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    Chapter 49 Über den Umgang mit Werken der Kunst
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    Chapter 50 Die Berliner Mauer: Ein verschwindendes Denkmal
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    Chapter 51 An Object Manufactured for Exhibition at the Bottom of the Sea
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    Chapter 52 Roman Commemorative Portraits: Women with the Attributes of Venus
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    Chapter 53 The Early Medieval Monastery as a Site of Commemoration and Place of Oblivion
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    Chapter 54 Une nouvelle approche des tombeaux royaux de Santes Creus
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    Chapter 55 Private Tomb and Public Altar: The Origins of the Mausoleum Choir in Rome
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    Chapter 56 Weltliches Bestattungsbrauchtum zwischen Mittelalter und Renaissance
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    Chapter 57 Les tombeaux de Pedro et Inês: La mémoire sacralisée d’un amour clandestin
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    Chapter 58 The Area of St Dominic at Bologna
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    Chapter 59 The Bishop, the Young Lion and the Two-headed Dragon: The Burghersh Memorial in Lincoln Cathedral
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    Chapter 60 Public Fame or Private Remembrance? The Portrait Bust and Modes of Commemoration in Eighteenth-Century England
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    Chapter 61 Manipulating Memories: Postponed Tombs for Galileo and Machiavelli
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    Chapter 62 Laugier’s Plans for Saint-Denis: A Forerunner to Lenoir’s Musée des Monuments Français?
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    Chapter 63 Cemetery Politics in 19th-Century Paris: The Manipulation of Memorials, Memory and Mourning
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    Chapter 64 The “Monumentomania” of the Nineteenth Century: Causes, Effects, and Problems of Study
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    Chapter 65 The Hamburg Bismarck Monument as “Lighthouse of National Thought”
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    Chapter 66 Commemoration and the Politics of Iconoclasm: The Battle over “Les Statues Dreyfusardes”, 1908–1910
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    Chapter 67 Indian Ironies, or British Commemorative Sculpture and (Re)shaped Memory
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    Chapter 68 Regeneration and the Legacy of Venus: Towards an Interpretation of Memory at Early Christian Golgotha
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    Chapter 69 Memory, Place, and Mission in Hieronymus Natalis’ Evangelicae historiae imagines
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    Chapter 70 La constitution d’un système dévotionnel: Le maître-autel de l’église de la maison professe des Jésuites de Paris au XVIIe siècle
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    Chapter 71 “The Empty Throne” in Early Buddhist Art and its Sacred Memory Left Behind after the Emergence of the Buddha Image
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    Chapter 72 Memory and Wonder: Our Lady Mary in Ethiopian Painting (15th–18th Centuries)
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    Chapter 73 Petrus Christus’ “Our Lady of the Dry Tree”. A Note on the Influence of the Veneration of Images on Early Netherlandish Painting
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    Chapter 74 Veneration via Art: Images of Divine Kingship in the Chapel at Versailles
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    Chapter 75 A Christian Romance: The Frescoes of San Galgano at Montesiepi
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    Chapter 76 The Fabrication of Sacred Memory: The Decoration of the Duomo and S. Maria Maggiore in Sixteenth-Century Bergamo
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    Chapter 77 The Escorial as an Example of the “New Architecture of the New Christian Antiquity”: A Study in the Problem of Legitimation During the Spanish Renaissance
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    Chapter 78 Ornament as Veneration in Ancient Pueblo Art
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    Chapter 79 Saint Luis Beltrán in Valencian Art and Pageantry
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    Chapter 80 The Memory Palace of Constantine Porphyrogenitus
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    Chapter 81 Cults Disrupted and Memories Recaptured: Events in the Life of the Icon of the Virgin Hodegetria in Constantinople
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    Chapter 82 La récupération «dell’antico» dans la Bible de Charles V
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    Chapter 83 Sculpture Aloft: The Forgotten Meanings of Memorial Sculpture on Church Roofs and Towers
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    Chapter 84 Auftraggeber und Nachbesitzer: Handänderungen mittelalterlicher Bilderhandschriften und deren Folgen für die Stifterbilder
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    Chapter 85 Trying to Forget: The Lost Angevin Past of Italy
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    Chapter 86 Graffiti as a Medium for Memoria in the Early and High Middle Ages
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    Chapter 87 Damnatio Memoriae in the Medieval Sculpture of Southern Croatia
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    Chapter 88 Remembering or Forgetting the Meaning of an Ornament? Trails of Antiquity in Early Byzantine Ornamentation
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    Chapter 89 The Manipulated Memory: Thomas Becket in Legend and Art
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    Chapter 90 Forging Monumental Memories in the Early Twelfth Century
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    Chapter 91 Memories at Work, 1500–1900: An Introduction
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    Chapter 92 La mémoire de Raphaël
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    Chapter 93 Out of Time: Ruins as Places of Remembering in Italian Painting ca. 1500
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    Chapter 94 Memorizing the New: Using Recent Works as Models in Italian Renaissance Commissions
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    Chapter 95 Remembered Lines
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    Chapter 96 Drawing up Plans in the Mental Studio: A Mannerist Scenario for the Invention of Compositions
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    Chapter 97 Farcical Jan, Pier the Droll: Steen and the Memory of Bruegel
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    Chapter 98 Hogarth’s Visual Mnemotechnics: Notes on Abstraction as an aide-mémoire for Figurative Painters
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     Chapter 99 The Pedagogy of Emancipation: Teachers and Students in Nineteenth-Century France
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     Chapter 100 Italia and Hollandia: Conflicting Memories at Work in the Dutch Prix de Rome (1817–1851)
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     Chapter 101 Nothing Overlooked: The Studio of Eugene von Guerard
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     Chapter 102 Oblivious to History: Géricault’s Subversive Intent(sity)
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     Chapter 103 From Memory to Oblivion: Manet and the Origins of Modernist Painting
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     Chapter 104 Modern Art and Oblivion: An Introduction
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     Chapter 105 Destruction, oubli et mémoire
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     Chapter 106 Curator’s Memory: The Case of the Missing “Man of Marble”, or the Rise and Fall of Socialist Realism in Poland
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     Chapter 107 Deadly Historians: Boltanski’s Intervention in Holocaust Historiography
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     Chapter 108 Archaeology of the Apocalypse: Cinema and Authoritarian Regimes in Argentina
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     Chapter 109 Memory, Oblivion, and the “Invisibility” of Monuments
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     Chapter 110 Paul Klee’s Memory in Exile
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     Chapter 111 Robert Smithson’s Suppressed “Pre-conscious” Works: Intentionality and Art Historical (Re)construction
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     Chapter 112 The Ambiguous Duality between Hero and Devil: Max Beckmann Reinvents Goethe’s Faust in his Amsterdam Exile
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     Chapter 113 Qui a peur des peaux rouges, du péril jaune et de la négritude?
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     Chapter 114 Recycling Memory in Urban Senegal
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     Chapter 115 The Case of Latvian Art between 1940–1990 and After
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     Chapter 116 Les Groupes «in» et les artistes ‹outsiders› de l’art brut
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     Chapter 117 Pop Art and the Forgotten Codes of Camp
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     Chapter 118 Le paradis artificiel : the Imagination of the Surrealist and “Schizophrenic” Author and Artist Unica Zürn (1916–1970)
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     Chapter 119 Les démarches «appropriationnistes» de Sherrie Levine et d’André Raffray: Deux pratiques critiques de la construction de l’histoire de l’art «moderniste» et de ses oublis
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     Chapter 120 History and Memory in the Art of Gordon Bennett
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     Chapter 121 Violence and the Aesthetics of Redemption
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     Chapter 122 Die Pendelbewegung des Künstlergedächtnisses: Selbst und Werkreflexion in den Bildertafelkompendien von Beuys, Broodthaers und Richter
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     Chapter 123 Memory and Oblivion in Contemporary American Art: The Lesson of Artforum
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     Chapter 124 Strategic Oblivion: 1970s Feminist Art in 1980s Art History
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     Chapter 125 Memories of a Monument: The Competition for a Monument to the Unknown Political Prisoner, London 1953 — a Discussion of the Powers of Sculpture that Never Existed
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     Chapter 126 Picassos Massaker in Korea : Geschichte und Erinnerung in der Moderne
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     Chapter 127 Lenin in the Age of Mechanical Reproduction
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     Chapter 128 The Vietnam Veterans Memorial and the Tomb of the Unknown Soldier: Memory, Mourning and National Memorials
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     Chapter 129 Objects Left, Individuals Remembered: “Making Memory Real” at the Vietnam Veterans Memorial
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     Chapter 130 Building the Unbuildable: The U.S. Holocaust Memorial Museum
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     Chapter 131 Nothing to See: Private Mourning in Public Space