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Figuring Animals

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Cover of 'Figuring Animals'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Lost Dog, or, Levinas Faces the Animal
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    Chapter 3 Ursus Americanus: The Idea of a Bear
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    Chapter 4 Digging and Leveling in Adam’s Garden: Women and the International Cat Fancy
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    Chapter 5 Animal Testimony in Renaissance Art: Angelic and Other Supernatural Visitations
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    Chapter 6 Strange Yet “Familiar”: Cats and Birds in Remedios Varo’s Artistic Universe
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    Chapter 7 Who’s Looking? The Animal Gaze in the Fiction of Brigitte Kronauer and Clarice Lispector
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    Chapter 8 Burning Out the Animal: The Failure of Enlightenment Purification in H. G. Wells’s The Island of Dr. Moreau
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    Chapter 9 Ouida’s Rhetoric of Empathy: A Case Study in Victorian Anti-Vivisection Narrative
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    Chapter 10 The Black Stallion in Print and Film
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    Chapter 11 “Who are the Bandar-log?” Questioning Animals in Rudyard Kipling’s Mowgli Stories and Ursula Le Guin’s “Buffalo Gals, Won’t You Come Out Tonight”
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    Chapter 12 To the Other: The Animal and Desire in Michael Field’s Whym Chow: Flame of Love
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    Chapter 13 “Identifying with the Animals”: Language, Subjectivity, and the Animal Politics of Margaret Atwood’s Surfacing
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    Chapter 14 Sensory Experience as Consciousness in Literary Representations of Animal Minds
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    Chapter 15 Human-Animal Affiliation in Modern Popular Film
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    Chapter 16 Who May Speak for the Animals? Deep Ecology in Linda Hogan’s Power and A. A. Carr’s Eye Killers
Attention for Chapter 10: The Black Stallion in Print and Film
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Chapter title
The Black Stallion in Print and Film
Chapter number 10
Book title
Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy and Popular Culture
Published by
Palgrave Macmillan, New York, January 2005
DOI 10.1007/978-1-137-09411-7_10
Book ISBNs
978-1-4039-6512-7, 978-1-137-09411-7
Authors

Lindsay McLean Addison, Addison, Lindsay McLean