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Electronic Visualisation in Arts and Culture

Overview of attention for book
Cover of 'Electronic Visualisation in Arts and Culture'

Table of Contents

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    Book Overview
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    Chapter 1 The EVA London Conference 1990–2012: Personal Reflections
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    Chapter 2 From Descriptions to Duplicates to Data
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    Chapter 3 Quantifying Culture: Four Types of Value in Visualisation
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    Chapter 4 Embodied Airborne Imagery: Low-Altitude Cinematic Urban Topography
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    Chapter 5 Back to Paper? An Alternative Approach to Conserving Digital Images into the Twenty-Third Century
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    Chapter 6 Light Years: Jurassic Coast: An Immersive 3D Landscape Project
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    Chapter 7 Photography as a Tool of Alienation: Aura
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    Chapter 8 Fugue and Variations on Some Themes in Art and Science
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    Chapter 9 Motion Studies : The Art and Science of Bird Flight
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    Chapter 10 Game Catcher : Visualising and Preserving Ephemeral Movement for Research and Analysis
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    Chapter 11 mConduct : A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture
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    Chapter 12 Photocaligraphy: Writing Sign Language
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    Chapter 13 Mobile Motion : Multimodal Device Augmentation for Musical Applications
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    Chapter 14 Legal Networks: Visualising the Violence of the Law
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    Chapter 15 Face, Portrait, Mask: Using a Parameterised System to Explore Synthetic Face Space
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    Chapter 16 Facebook as a Tool for Artistic Collaboration
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    Chapter 17 Just in Time: Defining Historical Chronographics
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    Chapter 18 Beckford’s Ride: The Reconstruction of Historic Landscape
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    Chapter 19 Reconfiguring Experimental Archaeology Using 3D Movement Reconstruction
Attention for Chapter 1: The EVA London Conference 1990–2012: Personal Reflections
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Chapter title
The EVA London Conference 1990–2012: Personal Reflections
Chapter number 1
Book title
Electronic Visualisation in Arts and Culture
Published by
Springer, London, January 2013
DOI 10.1007/978-1-4471-5406-8_1
Book ISBNs
978-1-4471-5405-1, 978-1-4471-5406-8
Authors

James Hemsley, Hemsley, James

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