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The Faces of Anonymity: Anonymous and Pseudonymous Publication from the Sixteenth to the Twentieth Century

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The Faces of Anonymity: Anonymous and Pseudonymous Publication from the Sixteenth to the Twentieth…
Palgrave Macmillan US

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Rehearsing the Absent Name: Reading Shakespeare’s Sonnets Through Anonymity
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    Chapter 3 Death of an Author: Constructions of Pseudonymity in the Battle of the Books
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    Chapter 4 “ ‘By a Lady’: The Mask of the Feminine in Restoration, Early Eighteenth-Century Print Culture”
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    Chapter 5 The Author’s Queer Clothes: Anonymity, Sex(uality), and The Travels and Adventures of Mademoiselle de Richelieu
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    Chapter 6 Possible Gustavus Vassa/Olaudah Equiano Attributions
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    Chapter 7 The Anonymous Novel in Britain and Ireland, 1750–1830
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    Chapter 8 Nothing’s Namelessness: Mary Shelley’s Frankenstein
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    Chapter 9 The Coauthored Pseudonym: Two Women Named Michael Field
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    Chapter 10 From Ghostwriter to Typewriter: Delegating Authority at Fin de Siècle
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    Chapter 11 “A Poet May Not Exist”: Mock-Hoaxes and the Construction of National Identity
Attention for Chapter 11: “A Poet May Not Exist”: Mock-Hoaxes and the Construction of National Identity
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Summary
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Chapter title
“A Poet May Not Exist”: Mock-Hoaxes and the Construction of National Identity
Chapter number 11
Book title
The Faces of Anonymity: Anonymous and Pseudonymous Publication from the Sixteenth to the Twentieth Century
Published by
Palgrave Macmillan, New York, January 2003
DOI 10.1007/978-1-137-11109-8_11
Book ISBNs
978-1-349-63566-5, 978-1-137-11109-8
Authors

Brian McHale, McHale, Brian

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 100%
Readers by discipline Count As %
Arts and Humanities 1 100%

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