The History of British Women’s Writing, 1750–1830

Chapter 1 Introduction: Defining ‘Women’s Writing’; or, Writing ‘The History’

Chapter 2 Women and Print Culture, 1750–1830

Chapter 3 Women’s Travel Writing, 1750–1830

Chapter 4 Bluestocking Women and the Negotiation of Oral, Manuscript, and Print Cultures

Chapter 5 ‘[T]o strike a little out of a road already so much beaten’: Gender, Genre, and the Mid-Century Novel

Chapter 6 Anglophone Welsh Women’s Poetry 1750–84: Jane Cave and Anne Penny

Chapter 7 The Poem that Ate America: Helen Maria Williams’s Ode on the Peace (1783)

Chapter 8 Picturing Benevolence against the Commercial Cry, 1750–98: Or, Sarah Fielding and the Secret Causes of Romanticism

Chapter 10 Charlotte Smith, Mary Wollstonecraft, and the Romance of Real Life

Chapter 11 Charlotte Smith, Mary Robinson and the First Year of the War with France

Chapter 12 The Porter Sisters, Women’s Writing, and Historical Fiction

Chapter 13 Joanna Baillie’s Emblematic Theatre

Chapter 14 National Internationalism: Women’s Writing and European Literature, 1800–30

Chapter 15 Jane Austen’s Critical Response to Women’s Writing: ‘a good spot for fault-finding’

Chapter 16 Mary Tighe and the Coterie of Women Poets in Psyche

Chapter 17 Influence, Anxiety, and Erasure in Women’s Writing: Romantic becomes Victorian