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Crossroads: Performance Studies and Irish Culture

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Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Performance Studies and Irish Culture
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    Chapter 2 Performing Ireland: A Performative Approach to the Study of Irish Culture
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    Chapter 3 Performing Tradition
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    Chapter 4 Sporting ‘Irish’ Identities: Performance and the Gaelic Games
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    Chapter 5 ‘It’s beyond Candide — it’s Švejk’: Wise Foolery in the Work of Jack Lynch, Storyteller
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    Chapter 6 Traditional Irish Music in the Twenty-first Century: Networks, Technology, and the Negotiation of Authenticity
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    Chapter 7 ‘Tapping Secrecies of Stone’: Irish Roads as Performances of Movement, Measurement, and Memory
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    Chapter 8 Commemoration and the Performance of Irish Famine Memory
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    Chapter 9 Performing ‘the Troubles’: Murals and the Spectacle of Commemoration at Free Derry Corner
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    Chapter 10 St Patrick’s Purgatory and the Performance of Pilgrimage
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    Chapter 11 De Valera Performs the Oath: Word, Voice, Book, and Act
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    Chapter 12 Between the Living and the Dead: Performative ‘in-betweens’ in the Works of Alastair MacLennan
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    Chapter 13 Jus Soli/Jus Sanguinis: The Biopolitics of Performing Irishness
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    Chapter 14 Ghosting Bridgie Cleary : Tom Mac Intyre and Staging This Woman’s Death
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    Chapter 15 Challenging Patriarchal Imagery: Amanda Coogan’s Performance Art
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    Chapter 16 Homelysexuality and the ‘Beauty’ Pageant
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    Chapter 17 Taking Northern Irish Identity on the Road: The Smithsonian Folklife Festival of 2007
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    Chapter 18 Who’s Laughing Now? Comic Currents for a New Irish Audience
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    Chapter 19 Parading Multicultural Ireland: Identity Politics and National Agendas in the 2007 St Patrick’s Festival
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