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Haunting and Spectrality in Neo-Victorian Fiction

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Cover of 'Haunting and Spectrality in Neo-Victorian Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 Salley Vickers, Venice, and the Victorians
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    Chapter 2 Spectrality, S(p)ecularity, and Textuality: Or, Some Reflections in the Glass
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    Chapter 3 Repetition and Eternity: The Spectral and Textual Continuity in Michèle Roberts’s In the Red Kitchen
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    Chapter 4 The Maid, the Master, her Ghost and his Monster: Alias Grace and Mary Reilly
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    Chapter 5 Olfactory Ghosts: Michel Faber’s The Crimson Petal and the White
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    Chapter 6 The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others
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    Chapter 7 Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction
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    Chapter 8 Mapping Histories: The Golem and the Serial Killer in White Chappell, Scarlet Tracings and Dan Leno and the Limehouse Golem
Attention for Chapter 3: Repetition and Eternity: The Spectral and Textual Continuity in Michèle Roberts’s In the Red Kitchen
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Chapter title
Repetition and Eternity: The Spectral and Textual Continuity in Michèle Roberts’s In the Red Kitchen
Chapter number 3
Book title
Haunting and Spectrality in Neo-Victorian Fiction
Published by
Palgrave Macmillan, London, January 2010
DOI 10.1057/9780230246744_3
Book ISBNs
978-1-349-30210-9, 978-0-230-24674-4
Authors

Agnieszka Golda-Derejczyk

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