English
Race, Class, and Gender in “Medieval” Cinema
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Introduction: Filming the “other” Middle Ages
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Altmetric BadgeChapter 2 Once, Present, and Future Kings: Kingdom of Heaven and the Multitemporality of Medieval Film
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Altmetric BadgeChapter 3 Chahine’s Destiny : Prophetic Nostalgia and the other Middle Ages
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Altmetric BadgeChapter 4 Reversing the Crusades: Hegemony, Orientalism, and Film Language in Youssef Chahine’s Saladin
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Altmetric BadgeChapter 5 Samurai on Shifting Ground: Negotiating the Medieval and the Modern in Seven Samurai and Yojimbo
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Altmetric BadgeChapter 6 Vikings through the Eyes of an Arab Ethnographer: Constructions of the other in the 13th Warrior
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Altmetric BadgeChapter 7 Mission Historical, Or “[T]here Were a Hell of a Lot of Knights”: Ethnicity and Alterity in Jerry Bruckheimer’s King Arthur
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Altmetric BadgeChapter 8 Inner-City Chivalry in Gil Junger’s Black Knight : A South Central Yankee in King Leo’s Court
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Altmetric BadgeChapter 9 Queering the Medieval Dead: History, Horror, and Masculinity in Sam Raimi’s Evil Dead Trilogy
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Altmetric BadgeChapter 10 In Praise of Troubadourism: Creating Community in Occupied France, 1942–43
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Altmetric BadgeChapter 11 Sexing Warrior Women in China’s Martial Arts World: King Hu’s a Touch of Zen
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Altmetric BadgeChapter 12 The Hawk, the Wolf, and the Mouse: Tracing the Gendered other in Richard Donner’s Ladyhawke
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Altmetric BadgeChapter 13 Chaucer’s Man Show: Anachronistic Authority in Brian Helgeland’s a Knight’s Tale
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Altmetric BadgeChapter 14 The “other” Women of Sherwood: The Construction of Difference and Gender in Cinematic Treatments of the Robin Hood Legend