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Performance Studies and Negative Epistemology

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Cover of 'Performance Studies and Negative Epistemology'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Performance Apophatics
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    Chapter 2 Performance Studies and Negative Epistemology
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    Chapter 3 Intercultural Performance and the Apophatics of Appropriation Appropriation
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    Chapter 4 An Apophatics of the Archive: In Memoriam Reverend Doctor Florence Li Tim-Oi
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    Chapter 5 The Playwright as Negative Theologian: James Baldwin’s The Amen Corner and Blues for Mister Charlie
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    Chapter 6 The Apophatics of the Object: Icon and Community
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    Chapter 7 Conclusion: Learned Ignorance and Performative Unknowing: Unselfing the Self, Unworlding the World
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