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The Palgrave Handbook of Theatre and Migration

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The Palgrave Handbook of Theatre and Migration
Springer International Publishing

Table of Contents

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    Book Overview
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    Chapter 1 Theatre and Migration: Defining the Field
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    Chapter 2 The Eternal Immigrant and the Aesthetics of Solidarity
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    Chapter 3 ‘A Real State of Exception’: Walter Benjamin and the Paradox of Theatrical Representation
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    Chapter 4 Theatre as Refrain: Representations of Departure from the Terezín/Theresienstadt Ghetto
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    Chapter 5 Refugees and the Right to Have Rights
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    Chapter 6 Postmigrant Theatre and Its Impact on Contemporary German Theatre
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    Chapter 7 Interculturalism and Migration in Performance: From Distant Otherness to the Precarity of Proximity
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    Chapter 8 Cosmopolitanism: The Troublesome Offset of Global Migration
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    Chapter 9 Indigenous Migrations: Performance, Urbanization, and Survivance in Native North America
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    Chapter 10 Migratory Blackness in Leave Taking and Elmina’s Kitchen
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    Chapter 11 Climate Migration and Performance
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    Chapter 12 Theatre’s Digital Migration
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    Chapter 13 Theatre and Migration in Gilgamesh
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    Chapter 14 Migration and Ancient Indian Theatre
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    Chapter 15 Fated Arrivals: Greek Tragedy and Migration
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    Chapter 16 Migration in Greek and Roman Comedy
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    Chapter 17 Migrating Souls and Witnessing Travellers in the Dramaturgy of Nō Theatre
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    Chapter 18 The Things She Carried: The Vertical Migrations of Lady Rokujō in Japanese Theatre
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    Chapter 19 The Stranger’s Case: Exile in Shakespeare
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    Chapter 20 The ‘English Comedy’ in Early Modern Europe: Migration, Emigration, Integration
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    Chapter 21 Migrations and Cultural Navigations on Early Modern Italian Stages
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    Chapter 22 Immigration and Family Life on the Early Twentieth-Century Argentine Stage
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    Chapter 23 Sonless Mothers and Motherless Sons or How Has Polishness Haunted Polish Theatre Artists in Exile?
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    Chapter 24 All Our Migrants: Place and Displacement on the Israeli Stage
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    Chapter 25 Shylock Is Me: Aryeh Elias as an Immigrant Jewish-Iraqi Actor in the Israeli Theatre
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    Chapter 26 Emerging, Staying, or Leaving: ‘Immigrant’ Theatre in Canada
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    Chapter 27 Migrant Artists and Precarious Labour in Contemporary Russian Theatre
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    Chapter 28 Chicano Theatre and (Im)migration: La víctima
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    Chapter 29 Staging War at the Home Depot: Yoshua Okón’s Octopus and the Shadow Economy of Migrant Labour
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    Chapter 30 From Emigrant to Migrant Nation: Reckoning with Irish Historical Duty
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    Chapter 31 Dwelling in Multiple Languages: The Impossible Journeys Home in the Work of Sidi Larbi Cherkaoui and Akram Khan
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    Chapter 32 The Theatre of Displacement and Migration in Southern Africa: Zimbabwe and South Africa in Focus
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    Chapter 33 From the Yoruba Travelling Theatre to the Nobel Prize in Literature: Nigerian Theatre in Motion
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    Chapter 34 Migratory Subjectivities and African Diasporic Theatre: Race, Gender, and Nation
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    Chapter 35 Immobile Relegations and Exiles: Creation and Migration in French Theatre Between 1980 and 2020
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    Chapter 36 Storying Home: Retracing the Trail of Tears to Restore Ekvnvcakv
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    Chapter 37 Diasporic Trauma, Nativized Innovation, and Techno-Intercultural Predicament: The Story of Jingju in Taiwan
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    Chapter 38 Our Life Together: War, Migration, and Family Drama in Korean American Theatre
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    Chapter 39 Chronicles of Refugees Foretold
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    Chapter 40 Ukrainian Theatre in Migration: Military Anthropology Perspective
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    Chapter 41 Spaces and Memories of Migration in Twenty-First-Century Greek Theatre: Station Athens’s I_Left (E_Φυγα)
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    Chapter 42 Troubled Waters: The Representation of Refugees in Maltese Theatre
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    Chapter 43 Staging Borders: Immigration Drama in Spain, from the 1990s to the Present
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    Chapter 44 Performance and Asylum Seekers in Australia (2000–2020)
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    Chapter 45 Ramadram: Refugee Struggles, Empowerment, and Institutional Openings in German Theatre
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    Chapter 46 To Come Between: Refugees at Sea, from Representation to Direct Action
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    Chapter 47 Theatre, Migration and Activism: The Work of Good Chance Theatre
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    Chapter 48 Theatre and Migration in the Balkans: The Death of Asylum in Žiga Divjak’s The Game
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    Chapter 49 Theatre of the Syrian Diaspora
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    Chapter 50 The Finnish National Theatre, Refugees, and Equality
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    Chapter 51 Transnationality: Intercultural Dialogues, Encounters, and the Theatres of Curiosity
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    Chapter 52 German Theatre and August von Kotzebue’s Theatrical Success and Pitfalls in Russia
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    Chapter 53 The Itinerant Puppet
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    Chapter 54 Fin-de-siècle Black Minstrelsy, Itinerancy, and the Anglophone Imperial Circuit
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    Chapter 55 Actor Migration to and from Britain in the Nineteenth Century
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    Chapter 56 Migration and Marathi Theatre in Colonial India, 1850–1900
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    Chapter 57 The Dybbuk: Wandering Souls of The Vilna Troupe and Habimah Theatre
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    Chapter 58 Indian Circus: A Melting Pot of Migrant Artists, Performativity, and Race
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    Chapter 59 Contemporary (Post-)Migrant Theatre in Belgium and the Migratory Aesthetics of Milo Rau’s Theatre of the Real
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    Chapter 60 Belarus Free Theatre: Political Theatre in Exile
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Title
The Palgrave Handbook of Theatre and Migration
Published by
Springer International Publishing, January 2023
DOI 10.1007/978-3-031-20196-7
ISBNs
978-3-03-120195-0, 978-3-03-120196-7
Editors

Yana Meerzon, S.E Wilmer

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 4 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 4 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 25%
Student > Master 1 25%
Unknown 2 50%
Readers by discipline Count As %
Arts and Humanities 1 25%
Computer Science 1 25%
Unknown 2 50%