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Imagining Gender in Biographical Fiction

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Cover of 'Imagining Gender in Biographical Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 Imagining Gender in Biographical Fiction: Introduction
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    Chapter 2 “Everything Is Out of Place”: Virginia Woolf, Women, and (Meta-)Historical Biofiction
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    Chapter 3 Fictional Futures for a Buried Past: Representations of Lucia Joyce
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    Chapter 4 Imagining Jiang Qing: The Biographer’s Truth in Anchee Min’s Becoming Madame Mao
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    Chapter 5 From Betrayed Wife to Betraying Wife: Re-writing Katherine of Aragon as Catalina in Philippa Gregory’s The Constant Princess
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    Chapter 6 Jean Plaidy and Philippa Gregory Fighting for Gender Equality Through Katherine Parr’s Narrative
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    Chapter 7 Australian Women Writing Tudor Lives
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    Chapter 8 Biofiction, Compulsory Sexuality, and Celibate Modernism in Colm Tóibín’s The Master and David Lodge’s Author, Author
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    Chapter 9 In Poe’s Shadow: Frances Sargent Osgood
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    Chapter 10 Stanisława Przybyszewska as a Case of Posthumous Victimisation: On the Ethics of Biofiction
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    Chapter 11 Re-visiting the Renaissance Virtuosa in Biofiction on Sofonisba Anguissola
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    Chapter 12 The “Mother of the Theory of Relativity”? Re-imagining Mileva Marić in Marie Benedict’s The Other Einstein (2016)
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    Chapter 13 Visceral Biofiction: Herculine Barbin, Intersex Embodiment, and the Biological Imaginary in Aaron Apps’s Dear Herculine
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    Chapter 14 “A Way Out of the Prison of Gender”: Interview with Novelist Patricia Duncker
Attention for Chapter 10: Stanisława Przybyszewska as a Case of Posthumous Victimisation: On the Ethics of Biofiction
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Chapter title
Stanisława Przybyszewska as a Case of Posthumous Victimisation: On the Ethics of Biofiction
Chapter number 10
Book title
Imagining Gender in Biographical Fiction
Published by
Palgrave Macmillan, Cham, January 2022
DOI 10.1007/978-3-031-09019-6_10
Book ISBNs
978-3-03-109018-9, 978-3-03-109019-6
Authors

Shmydkaya, Ksenia

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