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Post-Conflict Performance, Film and Visual Arts

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Cover of 'Post-Conflict Performance, Film and Visual Arts'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Cities of Memory
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    Chapter 2 Paradoxes and Parapraxes: On (the Limits of) Cinematic Representation in Post-Conflict Situations
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    Chapter 3 A Ruin in Slow Motion: The Case of Berlin
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    Chapter 4 Puppy Love: The Reincarnation of Bilbao
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    Chapter 5 Performing Reconciliation: Milan and the Memory of Piazza Fontana
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    Chapter 6 Public Memory in Post-Conflict Skopje: Civic Art as Resistance to Narratives of Ethnicity and Disintegration
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    Chapter 7 Voyage(s) to Sarajevo: Godard and the War of Images
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    Chapter 8 Lost Lives: Performance, Remembrance, Belfast
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    Chapter 9 ‘It Will Bury Its Past, It Will Paper Over the Cracks’: John Duncan’s Trees From Germany
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    Chapter 10 City of Culture/Memory: Derry-Londonderry, 2013
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    Chapter 11 Panopticonicity: Sites of Control and the Failure of Forgetting in Willie Doherty’s Re-Run (2002) and Drive (2003)
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    Chapter 12 Inner Cities: William Kentridge and the Landscapes of Memory
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    Chapter 13 The Tunisian Revolution and After in the Work of Jalila Baccar and Fadhel Jaïbi
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    Chapter 14 ‘Dancing in the Dragon’s Jaws’: Community Response to Harare Theatre as a Tool of Peace-Building
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    Chapter 15 Memory and Artistic Production in a Post-War Arab City
Attention for Chapter 11: Panopticonicity: Sites of Control and the Failure of Forgetting in Willie Doherty’s Re-Run (2002) and Drive (2003)
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Chapter title
Panopticonicity: Sites of Control and the Failure of Forgetting in Willie Doherty’s Re-Run (2002) and Drive (2003)
Chapter number 11
Book title
Post-Conflict Performance, Film and Visual Arts
Published by
Palgrave Macmillan UK, July 2016
DOI 10.1057/978-1-137-43955-0_11
Book ISBNs
978-1-137-43954-3, 978-1-137-43955-0
Authors

Paula Blair

Editors

Des O'Rawe, Mark Phelan

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